20:22, 2022, plaster aluminium, acrylic, 102 x 100.5 x 82 cm . photo: Article Studio
Bed, 2024-2026, woollen blankets and metal, 30cm x 30cm : 90cm / 1.2m / 1.35m / 1.5m / 1.8m
Bed (super king) + Small Hours projection 2025 2m x 30cm x 30cm
Smile (give us one), 2026, builders gloves and canvas, 2.4m x 1m
Limp (wip), 2026, wood and bandage, variable
Tender, 2024, wood, metal, baby teeth, 80mm x 50mm wood
Parent Body, 2023, rolling pin, nails, 18cm x 7cm
Voodoo Mum, 2023, rolling pin, dressmakers pins, 18cm x 7cm
Out of Sorts, 2023, human teeth, wood, golf tees, 10cm x 4cm x 4cm
Radio Head, 2023, found materials, 24cm x 20cm x 10cm
Potato Masher (I Do Not Miss You), 2023, bat, fishing wire, metal, 40cm x 6cm
Will Power, 2023, found ceramic, cork, wire, 7cm x 9cm x 4cm
Muriel, 2023, wood, paint, ceramic, metal, bakelite, plastic, rubber, pencil, 24cm x 9cm x 7cm
Domestic, 2022, wool, plastic chair, 130 x 100 x 100cm
Full Audio Experience, 2023, wood, pins, paint, radio parts, 9cm x 14cm x5cm + variable
Nickerless, 1988, wood, nails, string, oil paint, 22cm x 6cm x 4cm
Little Richard, 1987, bone, leather, wood, nail, 11cm x 10cm x 6cm
photos: Article Studio
DROP series, 2020, resin cast plastic detritus, 11cm x 11cm x 15cm each photo: Mike Garlick
INERTIA at INCENDIARY, 2019, curated by Patricia Brien SVA Stroud photo: Mike Garlick